The Pitch Graph generates Evo's interpretation of the pitch, represented by a red line. To get started, click the Track Pitch button and play back the section of audio to be processed. The editor has its own unique set of controls, which vaguely resemble Melodyne's. However, whereas in previous versions you edited a continuous line representing frequency, Evo can make musical sense of the content and present it to you as Note Objects - it's like a monophonic piano roll for audio, which will be familiar to users of Celemony's Melodyne. This shares many common controls with the classic Auto mode, such as the key/scale, throat modelling and transpose settings. Instead of snapping to a predefined musical scale, this plots a clear graph of time against pitch, known as the Pitch Graph. Working with Auto-Tune is now much quicker in the classic Auto mode, but the improved pitch tracking is perhaps even more essential in the offline Graphical mode. For example, earlier Auto-Tunes sometimes had trouble with octave tracking, resulting in nasty side effects.Īnd while vocals are the main focus, other monophonic instruments are also catered for - including bass - by way of the Input Type control. Auto-Tune Evo certainly pulls no punches and is noticeably more accurate than previous versions, and over a broader variety of signal sources, too.